Art Prints — African Art
20 items
Arts
Cinderella III – Original Oil Painting on Canvas | African Women Empowerment Art Series by Muktar Yusuf
Cinderella III is the final piece in a captivating three-painting series by Nigerian artist Muktar Yusuf, measuring 70cm by 80cm in oil on canvas, created in 2024. The Cinderella Series tells the inspiring story of a girl child's journey from innocence to empowerment — from a que sera sera moment of wondering what life holds, to growing into an elegant, beautiful woman who has conquered all obstacles and stands firm with hope. This third instalment represents the culmination of that journey — triumph, grace, and unwavering strength. The rich oil colours and expressive portraiture capture both the beauty and resilience of African womanhood, making this piece a powerful celebration of female empowerment and personal growth. As part of a collectible three-painting series, Cinderella III can stand beautifully on its own or be displayed alongside Cinderella I and II for a stunning narrative triptych. Perfect for collectors of African women's empowerment art, galleries, and spaces that celebrate feminine strength, beauty, and hope.
£300.00£350.00Sold by Muktar Yusuf Art • Lagos
Arts
Seeker – Original Reduction Linocut and Acrylic on Canvas | African Contemporary Art by Tosin Oyeniyi
Seeker is an original reduction linocut and acrylic painting on canvas by Nigerian artist Tosin Oyeniyi. This captivating contemporary African artwork embodies the universal human drive to search for meaning, purpose, and truth. Through the distinctive combination of reduction linocut printmaking and hand-painted acrylic layers, the artist creates a rich, textured composition that rewards close inspection. The reduction linocut process is an irreversible technique where each colour layer is carved from a single block, making every piece truly unique and impossible to replicate. This artistic approach, combined with expressive acrylic brushwork, gives Seeker its remarkable depth and visual complexity. The piece invites contemplation and connects with viewers on an emotional level, making it ideal for spaces that benefit from thought-provoking, meaningful art. A must-have for collectors of original African art, printmaking enthusiasts, and galleries seeking authentic contemporary Nigerian artwork with both technical excellence and emotional resonance.
£800.00Sold by Tosin Oyeniyi Arts • Oyo
Arts
Martin Luther King jr portrait A3
Martin Luther King Jr. — The Dreamer Who Walked on Lightning Martin Luther King Jr. was not just a pastor. He was a backbone dressed in a suit, a voice rising from the Deep South to tell America that it would never sleep peacefully again until it stood upright for everyone. He did not choose violence. Not out of weakness — out of strength. Because he knew that hatred is better fought with unyielding dignity than with a raised fist. He took the Bible, Gandhi, and a microphone, and he marched. From Montgomery to Selma, from Birmingham to the steps of the Lincoln Memorial, he carried on his shoulders an entire people tired of waiting. *I have a dream…* those four words were not a poem. They were a promise. A mortgage on the future. He spoke of his little children one day being judged not by the color of their skin but by the content of their character. He spoke softly, but every word weighed heavier than a chain. Unfortunately, a sniper's bullet caught up with him on April 4, 1968, in Memphis. He never saw his dream fully realized. He never saw the civil rights laws truly transform hearts. He never saw a Black president sit in the office he had shaken to its core. But what he sowed — non-violence as a weapon, love as a strategy, hope as resistance — no one will ever be able to bury with him. Martin Luther King Jr. never reached the promised land. But he showed the way. And millions are still walking it today.
£35.00Sold by Grandmanguier • FR
Arts
Malcom X portrait A3
Malcolm X — The Truth That Still Burns Malcolm X was not just an activist. He was an armed conscience, a voice rising from the flames, a man born in pain and killed for daring to name the evil. Raised in the storms of segregated America, he saw his father murdered, his mother broken, and his youth stolen. In prison, he reinvented himself. Not to beg for a seat at the table — but to flip the entire table over. From the Nation of Islam to Mecca, he never stopped growing, unlearning, and searching for absolute justice. He spoke out loud what the oppressed only whispered: *by any means necessary*. Not out of hatred — out of necessity. Because turning the other cheek when your house is being burned down isn't virtue, it's cowardice. While others talked about integration, Malcolm talked about dignity. While microphones were being held out to him, traps were being set. He never backed down. Even when he knew death was lurking. Unfortunately, the bullets caught up with him on February 21, 1965, in Harlem, in front of his wife and daughters. He never saw the end of American apartheid. He never saw a Black president in the White House. But what he planted in people's minds — the refusal to bend, an indestructible self-respect — doesn't need a grave to live on. Malcolm X is not dead. They only killed his body. But his words have never laid down their arms.
£35.00Sold by Grandmanguier • FR
Arts
Wiz Khalifa portrait A3
Wiz Khalifa — The Dreamer Who Turned Smoke Into a Crown Wiz Khalifa is not just a rapper. He is a vibe all on his own, a kid from Pittsburgh who became a king without ever raising his voice. He took to rap the way others breathe: slowly, deeply, with a smirk on his face. No need for heavy chains to shine. He chose tattoos, lowriders, drifting clouds, and that legendary weed he turned into a global anthem. *Black and Yellow*? That wasn't just a song — it was a flag. And behind that flag stood a whole nation of dreamers, skaters, and youth who just wanted to be themselves. While others shouted of war, Wiz chose peace. Not a soft peace — a conquered peace, freedom found in the tempo, success without hatred. He never needed to fight for two countries like Cabral. He fought for a single kingdom: the right to control his own life, his image, and his breath. Unfortunately for the haters, he achieved it all. The millions, the sold-out venues, the love, the respect. And he keeps going, slowly, calmly, rolling on like a modern sage. Wiz Khalifa is not a martyr. He is something much better: a happy survivor. And in the rap game, that might just be the greatest statement of all.
£26.00Sold by Grandmanguier • FR
Arts
Bob Marley portrait A3
Bob Marley — The Lion Who Didn't Wait for the Crown Bob Marley was not just a singer. He was a voice rising from the Jamaican soil, a prophet in an open shirt and rastas on his head. He took up music the way others take up a rifle: to wake the sleeping, and to tell the powerful that their day would come. Born in Nine Mile, raised in dust and dignity, he saw poverty and chose to turn it into a rhythm. Not to weep — but to march. So that Trenchtown would become a consciousness, not just a ghetto. While others spoke of liberation, Marley sang it. He never held a gun, but his songs shook more governments than an army ever could. *Get up, stand up*… that wasn't an invitation, it was an order. And the order came from below, from the people, from the sacred smoke. Unfortunately, the lion did not see Zion in his lifetime. Illness caught up with him on May 11, 1981, before he could rest his dreadlocks on a truly free land. But what he sowed in people's hearts — unity, gentle rebellion, love that resists — no one will ever be able to assassinate. Bob Marley never reached the promised land. But without him, no one would have known how to dance along the way.
£26.00Sold by Grandmanguier • FR
Arts
Amilcar Cabral portrait A3
I must admit I didn't know him before a conversation with an acquaintance. . Mr. Cabral was a Guinean Pan-African activist. He is one of the few activists to have fought for the liberation of two countries at once: Guinea-Bissau and Cape Verde. . An agricultural engineer by training, he became the worst nightmare of the Portuguese colonialist elite. . Unfortunately, he was assassinated on January 20, 1973, before ever reaching the goal he had fought for over so many years.
£35.00Sold by Grandmanguier • FR
Arts
Abstract Gelede in Mural 1 Painting _Contemporary Nigerian Painting
(PRINT WORK) This is an abstract capture of the "Gelede Head Gear" in a mural print. This cultural festival takes place in the south-west region of Nigeria. predominantly in "Badagry and Abeokuta" Dimension: 3ft x 3ft (91.44cm)
£150.00Sold by Macaw House • Lagos
Arts
Abstract Gelede in Mural 2 Painting _Contemporary Nigerian Painting
(PRINT WORK) This is an abstract capture of the "Gelede Head Gear" in a mural print. This cultural festival takes place in the south-west region of Nigeria. predominantly in "Badagry and Abeokuta". The Painting was produced in year 2012. by Folashade Ogunlade Dimension: 3ft x 3ft (91.44cm)
£150.00Sold by Macaw House • Lagos
Arts
Abstract Gelede in Mural 3 Painting _Contemporary Nigerian Painting
(PRINT WORK) This is an abstract capture of the "Gelede Head Gear" in a mural print. This cultural festival takes place in the south-west region of Nigeria. predominantly in "Badagry and Abeokuta". The Painting was produced in year 2012. by Folashade Ogunlade Dimension: 3ft x 3ft (91.44cm)
£150.00Sold by Macaw House • Lagos
Arts
Cinderella II – Original Oil Painting on Canvas | African Women Empowerment Art Series by Muktar Yusuf
Cinderella II is the second instalment in a captivating three-painting series by Nigerian artist Muktar Yusuf, measuring 70cm by 80cm in oil on canvas, created in 2024. The Cinderella Series tells the inspiring story of a girl child's journey from innocence to empowerment — from a que sera sera moment of wondering what life holds, to growing into an elegant, beautiful woman who has conquered all obstacles and stands firm with hope. This second piece captures the transformative middle chapter — the growth, the challenges faced, and the emerging strength that shapes the journey. The rich oil palette and masterful portraiture bring emotional depth and warmth to the canvas, celebrating the resilience and beauty of African womanhood at every stage. As part of a collectible three-painting series, Cinderella II can stand beautifully on its own or be displayed alongside Cinderella I and III for a stunning narrative triptych. Perfect for collectors of African women's empowerment art, galleries, and spaces that celebrate feminine strength, beauty, and the power of transformation.
£300.00£350.00Sold by Muktar Yusuf Art • Lagos
Arts
Hold On – Original Reduction Linocut and Acrylic on Canvas | African Contemporary Art by Tosin Oyeniyi
Hold On is an original reduction linocut and acrylic painting on canvas by Nigerian artist Tosin Oyeniyi. This unique artwork combines the striking graphic quality of reduction linocut printmaking with the rich depth of acrylic painting, creating a visually compelling mixed media piece that stands out in any collection. The title Hold On speaks to themes of perseverance, endurance, and the quiet strength required to navigate life's challenges. Through bold compositions and layered textures, the artist captures the tension and beauty of holding steadfast in the face of adversity. The reduction linocut technique involves progressively carving away a single block of linoleum, making each print irreversible and truly one of a kind. Combined with hand-painted acrylic elements on canvas, this piece achieves a remarkable interplay of print precision and painterly expression. Perfect for collectors of original African art, printmaking enthusiasts, and anyone seeking authentic contemporary artwork with emotional depth and technical mastery. A powerful statement piece for homes, offices, and galleries.
£1,100.00Sold by Tosin Oyeniyi Arts • Oyo
Arts
Formation – Original Oil and Mixed Media Painting on Canvas | Hausa Durbar Festival Nigerian Art by Yusuf Olayinka
Formation is a striking original oil and mixed media painting on canvas by Yusuf Olayinka, measuring 100cm by 100cm. This captivating artwork is inspired by the vibrant Durbar festival celebrated in the northern parts of Nigeria, one of the most spectacular cultural events in West Africa. The composition features three faces adorned in full Hausa regalia, rendered with rich colour and textured detail using a unique combination of oil paint and pasted leaves on canvas. This innovative mixed media technique adds extraordinary depth and tactile quality to the piece, creating a visually immersive experience. The Durbar festival is a centuries-old celebration of horsemanship, music, and cultural pride. Through this artwork, the artist captures the regal dignity, communal spirit, and vibrant energy of this iconic Nigerian tradition. Formation is an exceptional piece for collectors of African cultural art, galleries, and anyone seeking authentic contemporary Nigerian artwork that celebrates heritage and tradition. A bold, large-scale statement piece that commands attention in any space.
£1,000.00Sold by Yusuf Olayinka • Nasarawa
Arts
Nakama – Original Ink Drawing on Paper | African Contemporary Figurative Art by Art of Chine Kosi
Nakama is an original ink drawing on paper by Art of Chine Kosi, measuring 16 by 11.5 inches and sold unframed. Created in 2023, this evocative piece explores the deep bond between humans and their animal companions. The Japanese word nakama means friend or companion, and this artwork beautifully captures the warmth, trust, and connection that define these special relationships. Rendered with meticulous ink work and expressive detail, this contemporary African drawing showcases the artist's exceptional skill in bringing emotion and narrative to life on paper. The piece combines fine linework with bold contrasts to create a visually striking composition that draws the viewer in. Perfect for art collectors, animal lovers, and anyone who appreciates original hand-drawn artwork with emotional depth. This one-of-a-kind piece makes a thoughtful addition to any home, office, or gallery collection.
£160.00Sold by Art of chine kosi • Enugu state, Nigeria.
Arts
Daughter of Nations – Original African Pencil Drawing | Realistic Portrait Art by KennyDanielArt
Daughter of Nations is a drawing about the beauty of our shared history. It is a visual prayer that looks at how we are all connected, no matter where we come from. For months, I focused on the fine details, like the soft folds of her Gele (headwrap), the heavy glow of her Coral Beads and the beauty in her face. But as the drawing came to life, I realized it wasn't just about technique. It was about Remembrance. • A Bridge of Cultures: Her face brings together African and Asian heritage. She reminds us that for thousands of years, our ancestors traveled, lived and grew together. • Symbols of Pride: Her bright Aso Oke fabric and royal beads are signs of a deep global dignity and not just decorations. • A Quiet Strength: She's an unshakeable nobility, showing that different cultures do not have to clash. They can live together in perfect harmony. The Message I need you to understand that I created this piece as a mirror. When you look at her, I hope you don't just see a stranger. I hope you see a part of yourself. She is a reminder that our differences are not walls that keep us apart, but parts of one beautiful human design. "In her eyes, you don't see divided histories...you see the world coming together as one."
£1,800.00Sold by KennyDanielArt • Ondo State
Arts
Bàbá Onílù Ònírò (The Elder Talking Drummer)
This painting portrays a Yoruba elder talking drummer, a cultural custodian whose rhythms speak history, wisdom, and identity. Through expressive realism and vibrant traditional attire, the work honors African oral tradition and the timeless role of music as a language of memory and community. Acrylic on canvas 91 × 122 cm Amusan Joshua 2024
£1,650.00Sold by The Creative Mason • Oyo state
Arts
Lost Identity
'Lost Identity' is more than a portrait; it is a visual awakening. It represents my first step in a journey to confront the quiet, aching void where heritage once lived. For too long, there has been a heavy silence surrounding the stolen roots of the African soul. Through the patient application of graphite, charcoal and coloredpencils, I have sought to give that silence a voice. In this piece, I chose to depict an African woman crowned not by the luster of gold, but by the raw, cracked textures of the earth. Her crown is not a decoration but a burden. It carries the weight of lost kingdoms and the fractured histories of generations who were taught to look away from their own greatness. •The Vessel of History: She sits upon a weathered wooden chair, its surface scarred and etched by time. To me, those marks mirror the toughness backs of those who bore the weight of chains, yet never lost their inherent divinity. •The Whisper of the Past: At her hands lie rusted shackles, quiet, haunting reminders of captivity. Yet, in the way she holds herself, there is no defeat. Her posture is a testament to an unbreakable nobility. •The Shroud of Truth: Her white garment represents a purity of spirit and a truth that remains uncorrupted, waiting patiently beneath the layers of history to be rediscovered. By blending the accuracy of realism with the depth of metaphor, I have tried to balance beauty with pain, and history with an immovable dignity. I offer 'Lost Identity' as a mirror to the viewer. It is a quiet invitation to pause and reflect on a singular, vital question: Do we remember who we were before the world told us who to be?
£1,700.00Sold by KennyDanielArt • Ondo State
Arts
Carriers of the Day
Carriers of the Day captures a fleeting moment of collective movement—figures pressed forward by time, weight, and purpose. Rendered through layered screen printing, the work blurs individuality in favor of shared experience, emphasizing rhythm, repetition, and resilience. The softened forms and vibrant yet weathered palette suggest memory in motion—lives intersecting briefly before continuing onward. What is carried is not only physical load, but history, responsibility, and quiet determination. This piece speaks to dignity within labor and the unseen poetry of everyday journeys. Each hand-pulled print carries subtle variations, reinforcing the uniqueness of every path taken. Hand-pulled screen print on archival paper 35 × 55 cm Amusan Joshua 2024
£450.00Sold by The Creative Mason • Oyo state
Arts
Àgbàlagbà Tó Mọ̀nà (The Elder Who Knows the Way)
This acrylic painting captures the wisdom, resilience, and dignity of an elder navigating life with insight and grace. Through vibrant hues and expressive brushstrokes, the piece evokes a sense of guidance and reverence for cultural heritage. Perfect for collectors who value African artistry, storytelling, and contemporary expression. Acrylics paint on canvas 3ft by 4ft 2025 Amusan Joshua
£2,700.00£2,800.00Sold by The Creative Mason • Oyo state
Arts
The Burden of Time
The Burden of Time captures a quiet yet powerful moment of reflection — a portrait shaped by memory, endurance, and the unseen weight carried through life. The subject’s upward gaze suggests contemplation, as though measuring the past against hope for what lies ahead. Rendered in charcoal pencils, the drawing relies on contrast, texture, and subtle tonal transitions to express emotional depth. The shadows are intentional, echoing the passage of time and the accumulation of experience, while the open space and distant tree symbolize continuity, patience, and resilience. This piece invites the viewer into a silent dialogue — one that speaks of aging, responsibility, and the universal human experience of carrying time within oneself. 64 cm × 52 cm Charcoal pencils on paper Amusan Joshua 2024
£1,350.00Sold by The Creative Mason • Oyo state